a5c7b9f00b FBI agent Malcolm Turner is known best for being a brilliant, master of disguise. Malcolm's latest assignment sends him to small-town Georgia, where he's assigned to trap a brutal bank robber (and a recent prison escapee) who they suspect will be coming down to visit his ex-girlfriend Sherry and her son. Malcolm sets up a stakeout across from the home of a larger-than-life southern matriarch knownBig Momma, who's about to be visited by Sherry. It's a simple plan, but there's one big problem: Unbeknownst to Sherry, Big Momma has unexpectedly left town. So Malcolm, decides to impersonate the cantankerous Southern granny. Using a few tricks of disguise, he completely transforms himself into Big Momma, even taking on the corpulent septuagenarian's everyday routine-from cooking soul food to delivering babies to "testifying" at the local church. In the mean time, Malcolm starts falling for Sherry, who may or may not be hiding some stolen cash. Now, Malcolm/Big Momma must somehow find a way to nab his criminal and the girl.
An FBI agent Malcolm Turner is going deep undercoverhe disguise himselfSherry Pierce's long-lost grandmother named Hattie Mae Pierce, aka Big Momma. And his latest assignment sends him to small-town Cartersville Georgia, where he is assigned to trap a brutal bank robber who they suspect will be coming down to visit his ex-girlfriend and her son, Trent. Now, Malcolm must somehow find a way to nab his criminal and the lady.
I have seen this movie a few times in the last year, and I think its pretty silly, but it is somewhat entertaining. The only well known star in the movie is Martin Lawrence, and Nia Long and Paul Giamaitti are known by some. I think if they could have had a few more people in the movie that are somewhat well-known, I might have been a little more confortable with it. I do agree with the 4.6 rating.
"Big Mamma's House" offers exactly what you would expect in a comedy featuring Martin Lawrence dressing upan old, grossly obese granny; this is a one-joke movie in which an undercover cop disguises himselfBig Mamma and participates in things we anticipate Big Mamma normally would not do. There are some big laughs involved with the size of the title character,wellher with breasts, attitude, sexuality, and ignorance, but there are also some obvious audience pleasers that feel contrived. Although the make-up effects are astonishing and amusing, there are no surprises found within this material. We have already seen this film's punch line in better parodies like "Some Like It Hot," "Tootsie," and "Mrs. Doubtfire." This movie is predictable, over-enthusiastic, and does not take off with its ideas.<br/><br/>Martin Lawrence starsa cop named Malcolm, who, with his partner John (Paul Giamatti), is assigned to investigate the jail bust of a convicted criminal named Laster (Terrence Dashon Howard). They suspect the murderer is after his ex-girlfriend, Sherry (Nia Long), and her son Trent (Jascha Washington), who may unknowingly own the stolen loot of a bank heist years ago. Sherry is somewhat aware of the danger she may be in, thus moves immediately to her relative's house, whom everyone calls Big Mamma (Ella Mitchell). Before Sherry arrives, however, Big Mamma leaves town for an engagement. John and Malcolm see potential involved with Big Mamma, thus they determine that having Malcolm go undercoverthis character might originate information on Sherry's involvement with Laster's criminal actions. <br/><br/>Martin Lawrence, reprising his "Blue Streak" character, is perfect for the fast talking Mamma in which he disguises himself. The actor is in nearly every scene and is basically what the movie structures upon: one excessive comic situation after another featuring the concealed Malcolm participating in activities from karate class to a joyful church service and from the kitchen baking goodies to sleeping with the unknowing Sherry. Lawrence makes the movie succeed to the level that it does, however, his high spirits and willing energy only carry the film so far. It is only a matter of time before he wares out his welcome and becomes the only thing holding the story together. <br/><br/>The film does not stay focused on the plot of Laster attempting to reach Sherry; if a comedy makes the misconception to take its plot seriously, then it requires consistence. Here, although the setup contains potential, the only tension involved is when Sherry will discover her Big Mamma is an undercover cop. Essentially the movie's story is just an excuse to have Martin Lawrence play a funny character who does funny things.<br/><br/>The film's director is Raja Gosnell, whose "Never Been Kissed" and "Home Alone 3" provided trifling laughs, just like "Big Mamma's House" does. In this film, he and screenwriters Darryl Quarles and Don Rhymer attempt to do too much with too little like developing a romantic subplot that feels trite and predictable. No matter how much make-up or covering the filmmakers provide for their characters, beyond an occasional laugh there is simply nothing new here.
Any movie that employs an oven mitt and a plumber's friend in a childbirth scene cannot be all bad, and I laughed a lot.
What I know is the scene shows that during that night Malcom who is dressed upbig momma took the big momma mask off so he could sleep better without his face sweating under the mask. That is why his musdache is showing. Then the next scene in the morning it shows he has put the Big Momma Mask back on probably after Sherry went to sleep so that she would not notice that who she thought was Big Momma laying next to her was a man. In order to obtain a BBFC-12 rating, four scenes, all involving fight sequences, had to be cut, e.g. head-buts or kicks. This leads to a difference of 8 seconds.
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